John Lupton portrays a vacationing city-boy who takes a room in a remote hunting lodge. He soon finds himself in a lick of hillbilly trouble when he catches the eye of a moonshiner's meretricious wife. Low budget "white lightnin'" dramedy released to scant notice in 1957.

Two sharpie promoters (Don Barry and Frank Jenks) put on a show they believe is so bad it will not play more than one day and they therefore will not have to pay the long list of investors,i.e, suckers and buyers. But one of the investors dies intestate and his interests pass to the state. The governor's secretary (Lynne Roberts) engages new talent (the Four Step Brothers, Guadalajara Trio, St. Clair & Vilvoa, Dolores and Don Graham, et al) and a new orchestra (Jan Savitt), in order to make the show successful and a profitable investment for the state. Barry (in another of the vast majority of his films in which he was not billed as Don "Red" Barry), who has fallen in love with the first-billed Roberts, reforms and buys up the surplus stock.

Da-hye and Do-min are newlyweds for the first year, but the wife is always unsatisfied due to her husband's impotence. They tried everything, but all failed. But one day, the appearance of the man next door to her changed everything. When the man next door accidentally touches the wife, her husband feels an excitement he has never experienced before.

Taming Tammy, as the name may suggest, is an adaptation of Shakespeare's Taming of the Shrew. However, it's not only a modernization, but also has a twist; the role of Bianca, the younger sister, is now a gay younger brother, Tristan (Ryan Kennedy). Tammy (Sarah-Jane Redmond), the "shrew" is a very feminist sex toy salesperson who seems to scare every man who crosses her path.

Bessie Cobb, cake decorator in the kitchen of one of Miami's swankier hotels, is the central figure in an elaborate scheme by Chick Patterson, bell captain, who believes he can not only enrich Bessie, but himself, his fiancée, and the kitchen's three screwball chefs, Chef Popodopolis, Chef Petrovich and Chef Barzumium. He plans to enter Bessie in the singing contest sponsored by band-leader Danny Marlowe for a large recording company looking for new talent.. Chick has a recording made of Bessie's voice and substitutes it for that of "Sugar" Caston, who is being sponsored by a big-time gangster and is set up to win. But members of a rival gang, out to get "Sugar", mistake Besiie for her.

Hot but awkward pervert Gal Ritchie works as a maid at a sleazy roadside motel in an isolated village. She hates her job but makes the most of it by sneaking peeks at unsuspecting patrons who use the rooms for affairs and quickies. By hiding in the shower, under beds and peeping through holes in the walls. Gal can spy on customers as much as she wants. She loves getting caught, dominated and plowed - which lucky for her, happens often. Enjoy this special three part series from Brazzers starring the one and only Gal Ritchie!

Johnny Hart is on the run from the law after killing one of the men who shot his partner. He passes through a town and stops at a saloon owned by singer Lorena Dumont. The two seem a good, albeit tempestuous match, although Johnny has no plans to marry -- Lorena has other ideas and a shotgun wedding ensues.

This three-part documentary series charts Florentino Perez’ Galactico revolution at Real Madrid at the turn of the century. The documentary includes fascinating insights from a stellar cast of Real Madrid legends, including Iker Casillas, Roberto Carlos, Fernando Hierro, Claude Makélélé, Fernando Morientes, Steve McManaman and Manager Vicente del Bosque, alongside individuals closest to Perez. The three-part series traces Real Madrid’s time under Perez, from his Presidential win and controversial transfer of Luis Figo from bitter rivals Barcelona in July 2000, to the resignation of his first term as Real Madrid President in February 2006 following the fallout from his ‘Galáctico’ vision.

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Gal Costa performed at the Ibirapuera Gymnasium in São Paulo for four consecutive nights. The "Baby Gal" special aired on Rede Globo on December 16, 1983, and served as the basis for promoting the self-titled LP, which would only be released a week after this year-end special.